Nijla Mumin, Oakland poet
"Oakland has maintained a steadfast presence in the creation of my art, and in my personal development. Whether it’s my father's tales of arriving here from Louisiana in the heyday of the Black Panther Party, my big sister nodding her head to the Luniz and the Conscious Daughters in the 1990s, or my life-long love of Marcus Bookstore on MLK, Oakland has provided a rich palette from which I tell stories, and harness memory."
Above all else Oakland writer, filmmaker and photographer Nijla Mumin is a storyteller with the medium determined simply by the particular tales she's telling. While she eschews the idea of "confessional" poetry, her work on the page leans towards the radically honest and introspective. Whether recalling past loves, dissecting identity and gender politics or viewing the Richmond rape case through the eyes of a girl preparing for a homecoming dance, Mumin lays bare her personal experiences. Turning the personal into the political, her hopes, dreams, fears and fantasies invite introspection and reflection into our own lives.
Mumin is a 2007 graduate of UC Berkeley School of Communications and attended Howard University's MFA Film program in 2009. She's an alumni of June Jordan's Poetry for the People and the Voices of our Nation (VONA) writers workshop, where she studied under the poet Ruth Forman.
In 2006 Mumin founded Sweet Potato Pie Productions as a vehicle for her film work. In 2009 she was awarded the Paul Robeson Award for Best Feature Screenplay and her short documentary Fillmo was an official selection of the 10th annual San Francisco Black Film Festival. She is currently working on a documentary entitled BACK UP! concrete diaries, that explores how women deal with street harassment.
Solstice
1.
my father will never forget
my mother, the divorce,
final since ’89
and he’ll never forget the time
she dyed her hair strawberry blonde
he demanded she dye it back
before she drove to the Masjid
to pick us up
now Daddy meets a woman
they drive to Juma
he takes her out for seafood
he never returns her call
Daddy remembers how
my mother couldn’t dance
snapped fingers off sync
cooked lamb and baked beans
just right
and smiles, still in love
20 years removed
2.
there are times I decide,
that I’ll never think of you again
in the way that I want to
remove my shirt
and my socks
fall asleep next to you
I have no tangible answers
just scraps of internet
photos you dancing at some wedding
your one-word response to an email
we were never married
only shared a bouquet of moments
but each stem carries thorns
that hurt so good
I keep pressing my fingers to them
3.
Daddy sweats with the recollection
of my mother
summer is always hotter
when you’re alone
Oakland
I am eight years old
Efuru is my babysitter
she takes us on night fieldtrips to sideshows
candy painted cars exhaust concrete and
women howl in spandex pants and gel slicked ponytails
we sprawl out on her lint-covered quilt
watch Menace II Society so many times,
we recite O-Dog’s soliloquy on not giving a fuck
I want an O-Dog look-alike boyfriend in a white wife beater
and creased khakis
from Efuru
I learn how to ride on bitches
in red corollas with the Dr. Dre and Snoop
turned all the way up
how to swerve down International Boulevard
catchin’ the eyes of men
screaming through cracked windows
to exchange phone numbers
I learn Oakland in Dimond Park barbeques
charcoaled chicken breasts and basketball tournaments
punctuated by gunfire
then we all run
Efuru is Oakland
her skin dark as the July nights
we dance in
her voice a welcome respite
from the lullaby of police sirens outside.
We are Hayward transplants
my mother picks us up
Efuru smiles like the perfect
babysitter
we tell our mother
we had fun
soot
maybe if I be pale peach
skin
kissed by night chill
walking a dog
slightly choked
by a leash
I be safe
maybe if I be
corn husk blonde
hair
massaged by night wind
cold but wearing trendy cardigan,
and laughing into 1 am
on street corners outlined with
ghosts of juke joints
not twine locs pierced by
shards of night
not plum lips chapped.
I’m walking fast
because I be black
soot on the bottom of fireplaces
I never had
in neighborhoods I never lived
I'm no pale peach
skin and dog
leashes in night wind
laughing
I'm one black body once
unfolded against my will
like a paper bag
by a black body a black boy
and it wasn't night time
and I'm not safe tonight or any night
so I’m walking fast
the man with the corn husk blonde
hair
strolls night wind kisses a smile
onto his face
not a care
in the world
On Being Attacked-Nijla Mumin by Boothism
how to pick a sweet potato
if my grandmother were still alive
that’s what I’d ask her-
how she knew which ones
would sing harmonious
together in a flour-dusted pie crust,
made special
or maybe it wasn’t the potato
but her instinctual pinches of nutmeg
cinnamon and not too much white
sugar
that made our family forget their hurt
forget bills were due
and kids were acting up
and cancer was creeping inside
grandma
somebody’s someone
wanted to be somebody’s someone
wanted to massage somebody’s shoulder
under a down comforter watching the news
with the heat up high
it’s cold outside
and I wanted to be somebody’s someone
wanted to taste somebody’s kiss
cook meals I’ve never cooked
feel that soft tornado in my stomach
when they come walk by
wanted oceans only got
rivers
wanted a strong, yet smooth hand
to hold in the night
wanted a smile to fall
into in the morning
wanted mangos only got
lemons
wanted to be somebody’s someone
but only got myself
only got myself to hold
and I’m gonna love me
good
Nijla is currently finishing a chapbook of poems and working on feature length coming of age film. In 2010 her fiction will be featured in the anthology "Woman's Work: The Short Stories." You can read more of her writing on her blog and get details on her film work at the Sweet Potato Pie website.
Oakland Poets is our weekly feature highlighting The Town's talented wordsmiths. If you know someone we should feature or would like your work considered, email Kwan@oaklandlocal.com.
Thanks for turning me on to another great Oakland poet.